Album Reviews, Billboard, 19 December 1970, p. 50 (retrieved 28 November 2012).All Things Must Pass (bonus feature in 2001 album package) 8:03.Apple, 1970 Harrison had almost enough songs stored up from his Beatles days for a triple LP the gas starts to run out during the jams on Side Six.
George Harrn All Things Must Pass Full AlbumCd 1Oct 30, 2012 Mix - George Harrison All Thing Must Pass Full albumCd 1 YouTube.All Things Must Pass Studio album by Released 27 November 1970 Recorded 26 Maylate October 1970 Studio Abbey Road Studios, London; Trident Studios, London; Apple Studio, London Genre Rock, 1 folk rock Length 105: 59 Label Apple Producer George Harrison, Phil Spector George Harrison chronology Electronic Sound (1969) All Things Must Pass (1970) The Concert for Bangladesh (1971) Singles from All Things Must Pass My Sweet Lord Released: 23 November 1970 (US); 15 January 1971 (UK) What Is Life Released: 15 February 1971 (US) Alternative cover Album artwork of the 2001 re-release of All Things Must Pass All Things Must Pass is a triple album by English rock musician George Harrison. Recorded and released in 1970, it was Harrisons first solo work following the break-up of the Beatles in April that year, and his third solo album overall. It includes the hit singles My Sweet Lord and What Is Life, as well as songs such as Isnt It a Pity and the title track that had been turned down for inclusion on releases by the Beatles. The album reflects the influence of Harrisons musical activities with artists such as Bob Dylan, the Band, Delaney Bonnie and Billy Preston during 196870, and his growth as an artist beyond his supporting role to former bandmates John Lennon and Paul McCartney. All Things Must Pass introduced Harrisons signature sound, the slide guitar, and the spiritual themes that would be present throughout his subsequent solo work. The original vinyl release consisted of two LPs of songs and a third disc of informal jams, titled Apple Jam. Several commentators interpret Barry Feinsteins album cover photo, showing Harrison surrounded by four garden gnomes, as a statement on his independence from the Beatles. Production began at Londons Abbey Road Studios in May 1970, with extensive overdubbing and mixing continuing through October. Among the large cast of backing musicians were Eric Clapton and Delaney Bonnies Friends band three members of whom formed Derek and the Dominos with Clapton during the recording as well as Ringo Starr, Gary Wright, Preston, Klaus Voormann, John Barham, Badfinger and Pete Drake. The sessions produced a double albums worth of extra material, most of which remains unissued. All Things Must Pass was critically and commercially successful on release, with long stays at number 1 on charts around the world. The album was co-produced by Phil Spector and employs his Wall of Sound production technique to notable effect; Ben Gerson of Rolling Stone described the sound as Wagnerian, Brucknerian, the music of mountain tops and vast horizons. George Harrn All Things Must Pass Free 3 AccordingReflecting the widespread surprise at the assuredness of Harrisons post-Beatles debut, Melody Maker s Richard Williams likened the album to Greta Garbos first role in a talking picture and declared: Garbo talks Harrison is free 3 According to Colin Larkin, writing in the 2011 edition of his Encyclopedia of Popular Music, All Things Must Pass is generally rated as the best of all the former Beatles solo albums. During the final year of his life, Harrison oversaw a successful reissue campaign to mark the 30th anniversary of the albums release. Following this reissue, in March 2001, the set was certified six-times platinum by the Recording Industry Association of America. Among its appearances on critics best-album lists, All Things Must Pass was ranked 79th on The Times The 100 Best Albums of All Time in 1993, while Rolling Stone placed it 433rd on the magazines 500 Greatest Albums of All Time. It was endless He had literally hundreds of songs and each one was better than the rest. The precise line-up of contributing musicians is open to conjecture. Due to the albums big sound and the many participants on the sessions, commentators have traditionally referred to the grand, orchestral nature of this line-up. In 2002, music critic Greg Kot described it as a whos who of the decades rock royalty, 54 while Harris writes of the cast taking on a Cecil B. He was beyond that. Harrisons style of slide guitar playing incorporated aspects of both Indian music and the blues tradition; 53 from its introduction on All Things Must Pass, Leng writes, Harrisons slide guitar became his musical signature as instantly recognisable as Dylans harmonica or Stevie Wonders. Mixing and mastering edit If I were doing All Things Must Pass now, it would not be so produced. ![]() That the album sounded so contemporary in 1970 contributed to All Things Must Pass seeming dated and faddish later in the decade. Village Voice critic Robert Christgau, having bemoaned in 1971 that it was characterised by overblown fatuity and uninteresting music, 235 wrote in Christgaus Record Guide: Rock Albums of the Seventies (1981) of the albums featurelessness, right down to the anonymity of the multitracked vocals. In their book The Beatles: An Illustrated Record, Roy Carr and Tony Tyler were likewise lukewarm in their assessment, criticising the homogeneity of the production and the lugubrious nature of Harrisons composing. Writing in The Beatles Forever in 1977, however, Nicholas Schaffner praised the album as the crowning glory of Harrison and Spectors careers, and highlighted All Things Must Pass and Beware of Darkness as the two most eloquent songs. Disc one Sides one and two were combined as tracks 19, with the following additional tracks: I Live for You 3:35 Beware of Darkness (acoustic demo) 3:19 Let It Down (alternate version) 3:54 What Is Life (backing trackalternate mix) 4:27 My Sweet Lord (2000) 4:57 Disc two Sides three and four were combined as tracks 19, followed by the reordered Apple Jam tracks, for which all participants are believed to now be credited as composers also. Or How the Recording of Layla, Claptons Ode to Forbidden Love, Made Victims of Derek and the Dominos, Mojo, January 2001; available at Rocks Backpages ( subscription required; retrieved 27 September 2013). Castleman Podrazik, p. Gold Platinum Database Search: Harrison, Recording Industry Association of America (retrieved 12 February 2013). Album Reviews, Billboard, 19 December 1970, p.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |